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TOOTS THIELEMANS harmonica legend, and Kenny Werner, keyboard great, played to an appreciative, capacity crowd at the Mill Valley Jazz! Festival in Marin, California, in a cathedral-like setting, which -- together with E.J. Gold's monumental-sized paintings of impressionistic jazz musicians -- gave a heavenly feel to the event.
Click on any image to see it larger or to take the step-through tour of photos from the event
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E.J. Gold and the Grass Valley Graphics Group have been producing dynamic jazz art for over a decade and have also lent their artistic talents to concert installations and exhibits related to Wynton Marsalis, Howard Johnson, Oscar Peterson, Marian McPartland, Russell Malone, Benny Green, the 30th Annual International Association for Jazz Education Conference in Toronto, Northern California's Music in the Mountains, Rachel Kelly's Flying Hare Gallery, Gallery Arcturus of the Foundation for the Study of Objective Art, the H. Heather Edelman Gallery in Chelsea, NYC, to name a few. Participating artists include Zoe Alowan, E.J. Gold, Lin Larsen, S.L. Boyd, Kelly Rivera, R.C. Trice, Wayne Hoyle, Douglass-Truth, the late Tom X, David Christie, Della Heywood, and Menlo Macfarlane.
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A Night of Pure Gold
By R.C. Trice
I had the privilege of being enraptured by a wonderful jazz
concert in a somewhat unusual setting in Mill valley this Summer.
Toots Thielemans, long standing master of the jazz chromatic
harmonica performed with jazz pianist Kenny Werner, author of the
book, Effortless Mastery. Toots and Kenny regularly tour Europe performing together.
The concert in Mill Valley took place in a modern church with a
high ceiling and great acoustics. The intimate audience of under 500
sat on three sides of the performers . . . almost theater in the round and
marveled to the musical magic performed by these seasoned jazz
veterans. The program was a mix of repertoire and wonderful
improvisation and the audience was more sharing in the ongoing
musical conversation between the two performers than listening to a
concert. The intimacy of the space was strongly felt by all and by the
time the evening was over, we all felt we had been transported. This
effect was strongly enhanced by the 12' tall murals of E.J. Gold. In the
background on all the surrounding walls and standing tall behind the
performers, these spontaneous zen soul portraits of past jazz giants
seemed to be bearing witness to the proceedings from an 'essence'
place.
In a conversation with Toots about his fifty year plus career, he
told me that people often come up to him after a concert and tell him
they like the way he played 40 years ago and why doesn't he still play
that way? He told me that he responds to them with the idea that
change is all part of the process and that the most important thing to
him is that even after over fifty years of performing, his music stays
fresh. Toots, at 83 is well loved by almost everyone in the music
business and has played with just about everyone and every style of
music. And judging by his performance that evening in Mill Valley had
not seemed to have lost his energy or his edge.
During the concert, Toots expressed his gratitude to
Kenny Werner, who seems to keep him on his musical toes and it was
easy to hear why. Kenny, a wonderful keyboard man and author of the
book, 'Effortless Mastery', about how to approach mastery of the
piano, or anything for that matter, threw Toots musical curveballs that
Toots very adeptly returned . . . complete with musical jokes. It sounded
as though these wel- matched players' musical conversation had been
going on for years.
Jazz and art are like gold. Living in the Gold Country of California,
I've often heard old miners say, "Well son, gold is where you find it."
And we sure found gold that evening.
R.C. Trice is a jazz harmonica player and a jazz artist. He also interviewed Wynton Marsalis for HEI. His work is on tour with HEI Jazz Art.
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